In contemporary jewellery, objects connect with the body, and the body as a context for presenting the work can create a different meaning and establish a further dialogue between the body and the work. In the materialisation of an artist’s thoughts and ideas, the presence of a hand—a skilful and capable hand—helps facilitate the creation of the artist’s artwork. It should also be noted that in terms of shape, form, application, and semantic function, primitive human creations have characteristics that reveal valuable information about human ingenuity in all historical ages. The discovery of various materials and their usage to address humans’ physical and spiritual needs multiplied the attractiveness of these creations, like the incense burners of the Seljuk era—which are among the finest examples of Iran’s metalworking art—on which a unique look has been given in this collection. The incense itself and any other incendiary substance are used in the popular culture of Iranians to protect a person, space, or something precious to one from malignancy. All these inspired me to make objects such as rings in connection with the hand (usage) and to honour it (semantic function).

Sepideh Ghasemi